a&r · music business · music industry · Music2Deal.com

A&R Consultancy Package

Written by Richard Rogers (Music2Deal UK representative)

A&R is a beautiful profession to be involved with and I always maintain it is an art form and a science……. seriously. I even wrote that quote in the 2018 book, “Depeche Mode: Violator – The Ultimate A&R Guide” which former Warner/Chappell and Island MD Richard Manners concurred with me on. In 2020, an A&R person is now more valuable than ever. Why? Because now every artist needs an A&R person to ensure the artist is 2 steps ahead of the vast competition. The main problem is everybody can make a record now and record/produce it in their bedroom. This means the number of artists around the world has escalated above all proportions because with a fairly inexpensive piece of equipment and a pair of headphones everyone can attempt to be a star! The trouble is the number of would be stars has spread in number like the common cold and record companies receive more submissions than ever before.

As Invisible Hands Records (a UK record company) owner and MD Charles Kennedy said to me a couple of years ago ‘Because there are so many artists out there now doing DIY music, everything is so watered down and even worse most of it is unlistenable. I’ll rarely sign up new artists now, i’ll just rely on catalogue artists such as The Jam, Hugh Cornwell, Emerson, Lake & Palmer etc who are already signed to my company’.

Kennedy was right, everybody knows somebody who has a new single out now on Spotify!!! So how can you make yourself stand out from the rest of the crowd? Who is going to go through your songs and choose your best song for you so at least you have a chance in the industry? Who can recommend the right record labels, the perfect publisher, the correct manager, a killer remixer or the deft producer you require for your act? Yup it’s the much maligned A&R man. He’s still out there but in diminishing numbers sadly as algo rhythms and reduced A&R Departments take control but he’s the man that can still recommend changing the structure or the arrangement within a song or telling the bass player not to play quite so many notes on the track.

A&R

The problem is everybody would like an A&R man for free. Last month (February 2020) I had two cases in question. Firstly a guy that owned a small record label in the States asked me to find a number of record companies worldwide to license and distribute his artists for him and he offered to pay a small percentage for the best deal I could find financially. You’ll note the best deal financially (ie the most money) as opposed to the best deal for the artist in regards to percentages, even though this would mean more money for myself as the ‘deal finder’. I refused to take the offer on as this was not strictly A&R work in my view and I felt the principles to his search for money above all else to the detriment of the artist was thoroughly wrong.

Let’s use an example, if a ‘deal finder’ found for a US record label, 2 potential partners in Germany and the most cash upfront from one was €120k for a years deal but the royalty percentage was minimal and another offered only €50k but fantastic royalty percentage terms and add ons and a better deal overall then the US label might go for the higher cash upfront which would not be to the benefit of the artist. In addition the ‘deal finder’ we will assume is being paid a percentage of the total deal (say 10% for arguments sake). Which is the ‘deal finder’ likely to then offer to the US label, the €120k deal or the €50k deal? Of course the ‘deal finder’ would pretend the ‘artist beneficial’ €50k deal never existed in the first place and there was only the €120k deal available on the table. The record company man goes home with €108k and the ‘deal finder’ takes €12k, his 10% of the €120k and both are happy. What about the artist? I felt that this ‘deal find’ was not the job of an A&R man really as that’s the job of a lawyer in conjunction with the record company, the artist and the artist manager. It’s 2020 and guys this is still happening! Artists – be aware.

The second situation arose of a central European singer who I believed from an A&R capacity, desperately required her vocals to be re-recorded because her English phonetics were, to be kind ‘poor’ on a nevertheless brilliant song she had co-written. She decided the vocals were good enough, took offense at my suggestion she re-record them, refused to pay an A&R fee and never got to find out her song had been entered into a major song competition and subsequently had been accepted and shortlisted for a final with a minimum Yen 350,000 payout (approx €2900). True, not huge money but better than a kick in the leg.

I see these situations month in, month out, so I decided as I do a lot of work with Music2deal to set up an independent A&R Consultancy to help out artists, songwriters, singers, managers etc. Anyone signed up to Music2deal with a paying membership gets a reduction of 20% off a consultancy and those on a free membership with Music2deal get 10% off. Don’t worry, i’ll still do the free Music2deal A&R Essentials series, the A&R tips and help in the blogs, newsletters and on the A&R Forum but the consultancy will be much more intensive.

There are 5 levels of consultancy starting with just a simple single hourly rate which I can assure you that you will recoup the cost back immediately with two pieces of advice on production and mastering alone.

That’s it really, a bit of useful advice for artists to be ultimately aware of those people in the industry that may not have your interest at heart. And yes, it’s mixed in with a bit of self promotion for myself which in 16 years i’ve never done at music2deal. I thought this was worth it though to stop artists being screwed over.

Please let us know in this forum if this has ever happened to you or an artist you know and finally, here’s a request. I’m looking to bring in A&R people in different music styles and genres to expand the consultancy across the musical board so if you are an A&R man or know an A&R person then please get in touch so together we can help artists from being taken for a ride, sometimes without them even knowing.

Richard Rogers – March 2020

 

Links:

Richard Rogers on Music2Deal

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Interviews · music business · Music Business Event · Music Directory · music industry · Music2Deal.com · Musik Week

Interview with Luciana Pegorer, the new representative for Music2Deal Brazil and CEO of Music Trends Brazil

Interview with Luciana Pegorer, the new representative for Music2Deal Brazil and CEO of Music Trends Brazil by Mario Christiani (CEO, Music2Deal)

Mario: Luciana, you are the new exclusive representative of Music2Deal Brazil. Please tell us more about your background in the music business and why represent Music2Deal in Brazil?

Luciana: I’ve been working in the music industry in Brazil for over 20 years now. Since my graduation year I’ve experienced many areas of this industry, from being a musician (flute player), to producer, label manager at a major record company, label owner at Delira Musica, trade association leader, etc. Today I focus on building capacity to the Brazilian music ecosystem through Music Trends Brasil International Conference, a get together to discuss, learn, and network event that I organize and curate. MTB takes place in Rio de Janeiro every October. Brazil is one of the most musical countries in the world, top 10 global market, home of amazing and numerous musicians and music professionals from all areas. I’m joining Music2Deal because I see the lack of an effective online network to be able to connect and increase the opportunities for musicians, composers, artists, producers and the likes within our music industry and from our industry to the worldwide environment. I see Music2Deal as a complement of the mission I already fulfil with the conference and will make efforts to attract Brazilian members to the platform and make our country represented in this amazing worldwide network that connects the music industry.

2Luciana Pegorer 2019

 

Mario: Sounds really great. As you mentioned MTB, what exactly is the MTB and how did it come into existence?

Luciana: MTB is a conference that gathers 700+ professionals from the most different areas of the music business. From musicians and performers to DSPs and PROs, distributers, publishers, producers and record companies. It takes place in the historical downtown Rio, in an amazing 18th Century building. The main room is fully dedicated to high level discussions of the status and future of our business. CEOs, artists, authors and other executives from Brazilian and foreign companies discuss their best achievements and plans, with focus on developing the market in the best way possible. One other room is dedicated to workshops. New comers, artists, producers, receive the best training from top quality teachers. For those already in the market the workshops mean an important recycling of knowledge and new skills. For new comers it’s education, new skills and network implementation. We encourage foreign companies to come. They will learn a lot about this thriving market, top 10 in the world. It’s the perfect market place to interact and do business with the local companies. There is also the fun part. Party every night during the happy-hour, full of Brazilian Music, beer, homages and joy.

 

Mario: What are the plans for the next coming MTB in October and what can we expect?

Luciana: The next MTB will happen from Oct 23-25. Major and indie companies are confirmed, as well as most of the PROs and DSPs such as Deezer, Facebook, Youtube, Twitter and many others. We’ll have an extensive program with the most up to date discussions on the most important issues of our business. Artists will be trained on DSP’s and marketing tools, copyright and much more. It will probably be the best edition ever.

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Mario: You said, that Music2Deal is a complement of your mission. Do you have already some plans to integrate MTB & Music2Deal Brazil?

Luciana: We will open a MTB Group on Music2Deal and every delegate will be able to interact online with the other delegates and speakers. Also, we will grant the participants with a free premium trial until the end of this year. We will collect testimonials after that and will start to build the network from there.

 

Mario:  Why is it an absolute must for every professional to attend this event?

Luciana: There is no other conference in Brazil that places people face to face to the most influential and decision makers executive in the business. The network and the learning in this event is outstanding. Some statements from foreign people that attended in previous editions:

“Sessions I went to were of a really really high level, very good, kind of business to business, type of conversations and I actually got a lot out of this, a lot to learn about, specially on the Brazilian market, that I had no idea about before. So very informative”. Joel High (music supervisor Los Angeles)

“For people coming from overseas, give us a unique opportunity to actually get to know the     Brazilian market, make contacts and some good business. Highly recommend it”. Goran Anderson (Swedish executive)

“The whole market has become global and that means it’s more important than before to know what is happening  in all the countries around the world.  Brazil is especially important, it’s size, the rate that it’s growing, particularly it’s digital growth means it’s incredibly important for us to be here to understand the market”. Steve Mayall (Music Ally UK)

 

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Mario: Last question… How do you want MTB & Music2Deal Brazil to develop and are there already any specific plans for MTB 2025?

Luciana: MTB & M2D are complementary together. They both aim to connect people and help them develop their businesses. I expect MTB and M2D to keep fulfilling their intents until the end of times.

 

Links:

Luciana Pegorer on Music2Deal

Music2Deal Brazil

Music Trends Brazil