English · Tips

Radio Airplay

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Here’s a question I would like to get your answer on. As an artist, why do you want to get radio airplay?

The first answer I usually hear is “to be a star” or to “blow up” but what I’ve seen is artist want to get radio airplay so they can LIE & BEG a deal from a major. The concept here is to get a major label to pay you an advance, take more of their money to market, promote and publicize you and your music and then pay you more money for royalties. HOW INSANE is that? I’m finding more and more people thinking that their song is so great if someone hears it on the radio they will get instant gratification becoming an overnight sensation. Boy what a pile of garbage that idea has become. Besides the normal thought that radio doesn’t want your song and spending thousands of dollars to get a station to play it is not only a waste of money but stupid, 98% of the artist that I have met are not ready for a concentrated radio campaign in any city.

Because you do not know anyone at the radio stations you hire a promotion person to place your music. This person’s fee includes the money that will guarantee you airplay and varies between $1500 – $5000 per station.

If your song gets radio airplay and IF it is a popular song how do you monetize that airplay? The major chains will not carry your music and you have no idea how to even go about getting their attention. Oh that’s right you have CD BABY or TUNE CORE and your song is on iTunes, but you are not speaking with anyone at iTunes so you have no marketing with that company. You are hoping that people will search for your name or the name of your song, go to iTunes and purchase it but you are not a featured artist, not on the iTunes mailer have no idea how to get any of these benefits and CD BABY is collecting ALL of your money. Of course you are proud of the fact that you have a song on iTunes; however you think that just telling people on Facebook and Twitter to buy your product is promotion.

During the technology panel at this year’s International Soul Music Summit John Penn, Director, Advertising Operations & Branded Content Distribution at InspireMedia & Communications made a very profound comment. He said that social media on the Internet was a series of conversations and most people were talking and not listening. This immediately hit home with the concepts I have been telling people over the past few years about marketing and promoting their music online.

On Facebook alone, outside of the few posts that I have seen written to share knowledge, most people are YELLING AT YOU, about listening to their music, joining their group, “liking “ them, watch their video, come to their show, etc. When do you start listening to what your audience may want or even communicating with your audience? When do you stop being so selfish and rude and start working on a promotional plan that has a definite reason behind it?

How many different times do you see people writing any of the following phrases?

Force To Be Reckoned With

Starting To Blow Up

Destined To Be

Support Me

Check Out My

None of these phrases help you market and promote your product online, in fact they have become as archaic and none descript as the phrase “You Know What I Mean?”

But let’s continue speaking about this song that you have spent money with a promoter to get on the radio.

You have not done a print campaign in the city where the radio is playing your song and do not even have flyers available. There is no club or venue that knows about you because you do not have a promotional tour schedule or possibly don’t even know what a promotional tour schedule is. You do not know any of the announcers at the radio station, sales people, music director or program director. The reality is that you do not even know if the song is being played because you have no way of hearing it daily.

A little advice for the artist that wants a professional to listen to their product and then help them, do not send material, either audio or video, out to professionals and expect them to view or listen when you haven’t taken the time to communicate with them first. Respect is the first level of understanding within this industry and expecting someone to use their valuable time just for you because you sent them something is disrespectful.

Why should a radio station even listen to your song when you do not have any excitement surrounding it, you haven’t spent any time within the station’s coverage area and have never visited the station.

Your ego can be the greatest problem in your entire career, check your reasons for wanting to be within the entertainment industry often.

Article by Allen Johnston

English · Interviews

Interview with Fernando Moura

Fernando Moura

Hi Fernando. You are a well-known soundtrack and record producer in Brazil and also a respected instrumentalist. Can you tell us a bit about your history?

I´ve started playing piano at the age of 5 even without a musician in my family. My father used to hear bossa nova and jazz Lps at home all the time. Cesar Camargo and Oscar Peterson. At the primary school, my teachers were so impressed with my performances in front of the small children´s school band that they´ve recommended me to a local piano teacher. From there, I went to Brazilian Music Conservatory where everything was fine until seduced by the composition appeal I was censured by my teachers while improvising new melodies in top of Chopin´s Preludes harmonies at those grand pianos that were a real musical trip during my musical adolescence.

Through Keith Emerson, Rick Wakeman and Jon Lord I could see a connection between classical music and rock at the same time that discovering Miles Davis´ Kind of Blue at American Consulate Library was a revelation for me.

I´ve started to study functional harmony with H.J Koellreuter, composition with Guilherme Vaz, a brazilian soundtrack pioneer of the 60`s and jazz improvisation with American pianist Joanne Brackeen in New York.

As a professional musician and arranger during the 80´s and 90´s I´ve worked both live and in studio with many Brazilian popular artists such as Moraes Moreira, Zé Ramalho, Francis Hime, Marisa Monte, Elba Ramalho and also with foreigners such as Steve Hackett (from English band Genesis) George Martin and Chuck Berry when they´ve visited Brazil.

At this time, I´ve started to collect hours of experience at different studios dealing with a large range of gear from Ampex three channel analog machines, then to 8, 16, 24 track analog recorders, ADATS and started to follow Midi and digital recording technology since my first Atari ST.

From 1995 thru 1997, I´ve studied music for cinema, tv and multimedia in Britain and when I came back to Brazil, I went deep in the instrumental and authorial music world beside building a career as soundtrack composer and producer.

Since 1998 I´ve been working with Japanese artists with much collaboration in records and CDs released there. More details at MySpace (https://myspace.com/fernandomoura).

At the moment my authorial efforts are concentrated mainly on “CosmeDamião” an acoustic piano and percussion duo with percussionist Ary Dias (http://www.youtube.com/watch?v=VS_inlCiYUk&feature=player_embedded). Brazilian music from many different sources is combined with organic grooves, lush harmonies and soundtrack moods opening spaces to improvised and written music. Please check it out at: (https://soundcloud.com/fernandomoura59/afro-bebe-bonus-orch). Playing live in Brasil we are experiencing warm reactions to this live and organic music which makes a perfect balance for my studio work.

Regarding your musical work, what do you have to offer to other members of M2D that is unique?

More than thirty years of experience and still technically updated and aesthetically refreshed. I travel to Japan to work there at least once a year and also take part at events like AES annual Convention and Producer Live Sessions (England) where exchanging ideas in person with artists from all over the world give me a willing to experiment which I think it is the artist´s food. Music today is very much about been capable of quickly produce original options to satisfy the increasing demands of the clients.

The Web brings to us a fascinating possibility of collaborate and interact with artists around the globe but sometimes I feel that some people are more likely to sell their products than to buy or to exchange. My point is to improve artists´ collaborations thru Music2Deal where each one can bring his or her best to the party and this way make it unique and profitable.

Let´s take a simple situation: a soundtrack for a corporate video for a sporting goods company talking about the World Cup or Olympic Games in Rio de Janeiro. As a real carioca (born in Rio) musician I can provide authentic rhythm tracks performed by some of the best Brazilian players and lush piano harmonies that can be combined for example to English guitar solos, Japanese rhythm programming, American brass sections or soloists, African rappers… Endless combinations and possibilities. I do feel that Music2Deal members should think about this type of interacting because this is clearly the future for independent musicians, instead of trying everything alone by themselves. Let´s face it: no one is good enough to be the best option at all duties in the musical process. Also the world is already full of “ jack of all trades”  locked at small rooms in front of a computer screen dreaming to be invited to make soundtrack to Hollywood films or to write the next R&B hit! Collaborating and listening to other musicians is a much more effective way of being successful and happy with your music these days.

What led you to participate in Music2Deal? What do you see as the platform´s differential?

I would like to thank my friend and multi talented sound engineer Rodrigo Castro Lopes’ for inviting me to know about Music2Deal. We recently did a great job recording a CD for legendary Brazilian guitar player Lanny Gordin (http://youtu.be/rSFWE02U2-s) where I did the arrangements, played acoustic piano and keyboards while he recorded and mixed the whole album and live shows. I feel that Music2Deal as a very promising association of musicians because it selects its proponents by the demonstration of expertise in the professional world of music. This can make a whole difference because the Web is already crowded by many offering cheap or even “free” music that has no quality at all or are unable to deliver some outlandish promises advertised just because there are no income guaranteed success in the music business. “How to´s” are generally a better incoming to people who sell books about being successful, but you seldom see a respectable musician or producer giving “success recipes” just because this is an illusion. No one knows how the audience will react to any kind of music product. No marketing plan or huge amount of advertising can assure a real success.

Creative work and collaboration can be rewarding and I do hope that Music2Deal will inspire and help to connect musicians all over the world to keep their independence and creativity at high levels.

Feel free to contact me at fernandomoura@terra.com.br

by Sara Shirazi

English · Interviews

Music2Deal – Interview with Dennis Makhari (Ambassador)

We take the needs of our members at heart and although Music2Deal runs on a technological platform, we form and keep close relationships with our members, whether it be an artist, a publisher or any other music industry professional.

We decided to introduce our first appointed Music2Deal Ambassador by means of a video interview, since it creates credibility and enthusiasm amongst current and future members.   There is no better testimonial but to see and hear what Music2Deal is doing for all players in the music industry, but to hear it from the horse’s mouth.

About Dennis Makhari

As with many songwriters, Dennis holds a steady position as a management consultant in the corporate business world.  However his passion for writing music and as an entrepreneur with a vision, Dennis realized the importance of networking and joined Music2Deal in December 2011.  He has been a supportive and very active member of Music2Deal, ensuring that he builds the necessary contacts in the music industry through Music2Deal to bring his songwriting and music production visions to fruition.

Dennis has an extremely wide and diverse taste in music, from R&B right through to the likes of Pink Floyd and is currently writing songs for his next album project.  Dennis’s immediate future plan is to put together a band that can provide an authentic live musical experience, as he states “we want to connect with our audience in a way that is unrestricted by a specific genre”.