English · Interviews

‘Passion’ by Pier O (M2D Belgium) Music2Deal album review.

pier-o-colour

Genre:                 Lounge/downtempo

Release date:     22-Aug-16

Label:                   M-Sol Records http://m-solrecords.com/

Platforms:

https://www.music2deal.com/be/Im7870zerHhh_KBep2tmqXHmka0

https://soundcloud.com/pier-o-lounge/sets/passion-album

https://itunes.apple.com/us/album/passion-presented-by-pier-o/id1142187757

https://www.beatport.com/release/passion-presented-by-pier-o/1830827

https://www.amazon.co.uk/Passion-Presented-Pier/dp/B01K37JSW0

http://m-solrecords.com/shop/lounge-chillout-music/passion-pier-o-album/

Album intro

Pier-O’s first album captures very high quality lounge music that follows the modern chill out trends & includes jazz and balearic elements in Pier’s own unique emotional musical style. A few tracks are included which were produced in collaboration with worldwide famous musicians such as Marga Sol, Euphonic Traveller, and Marie Therese. Experience Pier’s own ‘passion’ for music via the unique musical vibe & style captured in this, the producer’s debut album.

A note from the artist

I have had a history of love for music since I was born. This love of music ranges from classical to metal, with a never-ending love for Pink Floyd. During the mid 90’s I was listening to a lot of 12″ house music vinyl releases, had a few of my own old skool trance tracks released too and as this was first decade of the new millennium, I remember how at that time, I was just amazed at the musical possibilities so I first specialized in analogue vintage synths. This taught me how to work well with both synthesizer sound creation as well as modular synths and I’m proud to say that I’ve been the owner of many classic synthesizers over the years. That list has included the ARP, Elka, EML, EMS, MOOG, Oberheim & Roland legends and even the mighty Yamaha CS-80 (yes, the very same synthesiser Vangelis utilised so well on the classic ‘Chariots of Fire’ and ‘Blade Runner’ soundtracks).

I actually do still have some of the original tracks that I produced during that ambient music period of my life on my SoundCloud profile;

https://soundcloud.com/pier-o-lounge/sets/excerpts-from-my-pre-lounge

The underlying concept of Music2Deal was the major draw factor that made me want to join the platform. Music2Deal’s global musician networking premise, the ability to offer music for licensing as well as the free tools on the site are frankly a breath of fresh air for the music industry.”

https://www.music2deal.com/be/Im7870zerHhh_KBep2tmqXHmka0

Authors note; Wonderful of sound that are mellow, classy & capture certain panache. That’s how Pier’s music makes me feel. I really dig it when I hear music & abstract sounds in a track & more so from those with an ear for quality music based on their previous track/album work, social media shares as well as general on & off-line conversations. So, with that said, it was a real pleasure to both hear as well as scribe some words on this new piece of work, the debut album from Pier released via the label of our mutual associate; the multi-talented Marga Sol. Thank you both, myself & many others appreciate your musical efforts, so, well there it is dear reader, please enjoy my review & sound experience when listening to this album for the first time recently.

Peace & Music, forever

Darren @ Music2Deal, Nov’ 16

pier-his-moog

Elisa’s Story (Space Dream Mix)Love the opening, dreamalicious, definitely. Lots of good touches here & an extremely chilled vibe throughout, big like & thoroughly enjoyed the wind work samples. In this instance, Pier takes the sound of the trumpet, records and then ‘plays the trumpet’ via his MIDI piano keyboard until satisfied with the sound created. If Pier is not happy with the initial sound then he simply edits or re-records again until comfortable, refinement works.

Hot Summer Breeze – Wow, love the ocean opener and then the bass, such a good & instant vibe, with beats, trumpet & vibe all merged so very well. I feel the influence of Sven Van Hees and his Matrass Mambo** track which is wonderful to hear and, perhaps even an homage to that classic Latin lounge track but regardless that’s what this feels like, intentional or not. An excellent down tempo track Pier and now as I type it’s once more with the trumpet sample (Y) so good on the ear and, the title is perfect! I’d personally enjoy hearing this (loudly) on a beach anywhere in the sun with good company & a cool glass in hand, chuckles J the ending is a nice touch too, quality.

*which, dear reader is in-fact the technically correct track title from Sven’s classic ‘Gemini’ album, i.e. not Mattress, it’s a language thing peeps :)

Red Sunset (feat. Mia Lemar) – I really enjoyed the opening sequence on this track and once more, such good accompanying work from the trumpet. Mia Lemar delivers her contribution perfectly I feel vs. the overall ‘tone’ of the track & mood in-play, excellent. Definitely, a lazy Sunday morning vibe & flavor to it, yep, a first track of the day selection with good coffee please, that’ll work. Another like is the tinkling piano throughout…perfect & then the sax, horn & vocal together as we move on through the track, very chic Pier! J #GotPanache #GotClass

Waiting (For You) – Yet another dreamy opening sequence, I can see why Pier & I both like DF Tram and that’s all I can really say about that J it’s a music-lover ‘thing’ peeps, chuckles. Aaaanyway and then, the synths begin, nice background atmosphere generated here, all elements in play, clearly a soundscape track, love that guitar riff & the piano, it’s just right, not too much, not too little, on the cusp, tight track.

Eiffel Tower Dream – I was both intrigued & immediately curious for more simply by the starting sequence & trumpet sampling here. That aspect brings the track alive instantly & grabbed my ears too. Enjoyed the slight echo on this, don’t know if this is freestyle but it works & I dig it. The pause & rebuild @ 2.55 then the sax is a nice touch and again, that echo, another nice touch. Like the end sequence also, it’s that echo again but this time on the vibraphones. Cool fade-out to end also here.

Long Kiss at Trocadero – Another wonderful beginning that makes me curious for more, like it when that happens, lovely high synth & waves of sound in the background, an immediate dreamy atmosphere created, it all hangs together very well.

And now, a brief interlude & some ad-hoc background on this track from Pier himself:

“Long Kiss at Trocadero was composed after my first meeting in Paris with my former girlfriend who I still love, we kissed first time in Paris on a seat in Trocadero Park in the shadow of the Eiffel Tower…also, the many “I love you’s” on the album and sensual whisperings in the background were recorded by her side on that day, good memories.”**

** The splash of life & love that adds fuel to ‘the process’ I’m sure, thank you for sharing that insight Pier, DP)

Le Ciel de Paris (Pier-O Pont Des Arts Mix) by Euphonic Traveller – Always a quality track, it’s just sooooo Parisian & mellow. Btw and frankly, anything composed by Euphonic Traveller (such a cool handle, always thought so) is allll ways worth a listen per the high-quality consistency of ET’s output; guy’s got taste & a good ear for the sweet-sounds.

Poison & Passion (Pier O Passionata remix) by Marga Sol) – Nice remix of Marga’s own original track , it’s clear that Pier & Marga work very well together based on this album as well as other historic collaborative albums & singles, yep, like that.

Love Jazz (for the weekend) – Sighs, lovely track, I can imagine myself in good company in a smoky bar anywhere in the world listening to this, very sensual saxophone so yep, definitely a ‘love Jazz feeling’ here.

Promenade – Love the opening as the music bleeds in, a mini soundscape in itself this track and the piano overlay is pure pleasure on the ears.

Fermer Les Yeux – Simple but effective this track, not overdone, a nice slice of downtempo

Air of Love (feat. Marga Sol) – Very much enjoyed the guitar & vocal effect’s here and of course, my beloved flute, I just love that instrument! J

Lady Fantasy (The Next Summer) – Grabbed my ear from the start, its sooo chilled & I really enjoyed the keyboard work & sound effects. Simply put; a pleasure to both listen to & to work with in the morning with coffee but hey, that statement goes for the whole album dear reader, highly recommended with caffeine, most definitely, trust D.

Gin & Tonic (Pier-O Bossa Chill Mix) by Marie Therese – I always enjoy the mood & atmosphere captured in this track and the excellent saxophone work by Hal Millen so good to see it’s been captured also as it’s been a while so, like bumping into an old friend, if you will, chuckles J

A word from Pier about this particular track: “The wonderful original track, pure chill-out, composed by the lovely Marie Therese, who’s always been a great friend of mine too.”

Beach Waves – Frankly, this tracks sounds just like its title, so that’s kicking back on a beach, anywhere, listening to this & gazing out at the oceans…oh yes, a definite Zen track for sure, biiiiig like from DP on that.

Finally & to wrap-up this review, I thought it would be informative for readers to have an insight into some of the technical & tooling background utilised in the production of this album & from Pier himself;

  • All the tracks were fully created using samples except for the human voices as all the sensual whisperings & background voices are my muse (i.e. my former girlfriend). The French talking voices are samples from Mia Lemar as well as an associate of Euphonic Traveller who also utilised the same lady’s voice-over talents on his ‘Lounging Paris’ album.
  • I try to do all mixing and mastering myself too except for the final mastering ahead of release & when all the tracks are ready. That aspect is performed by Marga and her team only and covers areas such as ensuring that the overall loudness of all songs is equal. Regardless I’m still learning some aspects of production so I have up’s & down’s day after day… After all, Rome wasn’t built in a day. J
  • Today’s sample libraries are very close to the real instruments so sometimes I use sample loops, but generally, I try not to use too many sample loops like some other musicians can do so I compose most of the melodies & chords myself. Generally, I’m playing everything, instrument by instrument using a sample library of that particular instrument. Only the electric piano comes from my real Rhodes EP mk I while the deeper bass sounds are produced via my vintage MOOG Minimoog. I also usually utilize the following sample tools in my production process; a piano or an electronic piano, strings, pads, trumpet, tenor saxophone, horns and vibraphones.
  • All the above tools are utilised via the Pro Tools music system on my computer, my DAW.

Hope that was a good flava of the album peeps & I hope your enjoyed!

Darren – Music2Deal UK

©DP @ Music2Deal

This & That

The career advantages of utilizing Music2Deal

A crucial aspect & the huge difference between other professional networking sites (LinkedIn for example) is that the focus at Music2Deal is solely aimed at the music sector & wider industry.

At Music2Deal we provide you with the web-platform & tools to enable music professionals like yourself to connect with others in the industry & have clear visibility of where the current music opportunities exist in the market-place in-order for you to make deals & collaborations happen as well as increase your brand visibility during the process.

Consider: How about if you could connect with all the relevant contacts in your musical network via one dedicated platform & be notified every time any of your connections has a need for music or music related services? Remember also that by offering your own music services, you can attract collaborations in-order to build & enhance your wider career interests as well as your industry standing. So by definition, by offering your music for licensing or other music-related services on Music2Deal, you can easily self-generate opportunities for yourself & your career.

The below video demonstrates & explains why you are on Music2Deal in the first instance as well as provide you with guidance on what you should do on our global platform to make business happen.

Last words for now and it’s appropriate from all of us at Music2Deal globally, we wish you a very happy Christmas as well as more power & luck for your musical career in 2017, we’re all rooting for you dear reader so go for it!

 

 

https://music2deal.com

This & That

Mozez Wright – Singer/Songwriter/Producer/Label Owner

Tell us a bit about yourself?

My journey started in Jamaica attending my father’s church I was introduced to singing around the age of twelve, been fascinated with choirs and various singer in the churches. I was about fifteen when we formed a band my brothers and me, called Channel of Praise the success of which took us to the UK some years later. My first major solo project was as lead vocalist for the band Spirits. The band had two hits Don’t Bring Me Down and Spirits inside which was top 20 in the National Charts in the early nineties. This was followed by a five-year stint as lead vocalist with the band Zero7 whose success is well documented. I released my first solo album in 2006, followed by a remix album in 2011. Whilst concentrating on production & writing for the artists signed to my label Numen Records. I have since 2012 been writing and performing with the band Nightmares on Wax. In 2015 I released my Second official album followed recently by a remix album in 2016

 
Have you licensed your music/signed your artists internationally?

We are currently working on licensing our music to various territories and are keenly seeking opportunities in the international market.

 
Which country do you find is the best to license music to and why?

We have not exhausted this field enough to make a judgment on any specific country

mozez-3s

If you were to partner with someone to license their music/sign-up artists for your label and region, what sort of music are you looking for and why?

As a label, we are quite open to different expression of music we are not particularly concerned about the Genre of music however because of limited resources we try to stick to the field we are familiar with. We are trying to expand our base however we are currently subjected to familiar genres such as Soul, Triphop, Electronic, Downtempo, Pop, and Easy Listening.

 
Please provide notable projects you’ve completed?

As stated above as Mozez: (Vocalist Writer and Performer) Spirits, Zero7 & Nightmares on Wax. Mozez Solo projects- (albums) So Still, Time Out, Wings, and Dream State. Label Projects -Gentle Beauty, (Mari) Wings and Dream State (Mozez)

 
Your current artists/projects/goals?

Our primary focus as a label is the organic growth of all artists involved with us, the focus is on building a long-term career as an artist so developing, creating and maintaining a body of quality work is essential.

 
Details of upcoming new releases and gigs?

Over the next year, we will be releasing albums and singles for Mari, Mozez, Michaelarkk and Mico. We are currently seeking gigs formal our artist. Dates coming soon

 
What do you think is the biggest single problem faced by the music industry today and how do you think it can be resolved?

The advent of the internet has left the music business in a state of uncertainty. With the almost free availability of the artist produce once it’s uploaded, creates a major problem in that you are actually hoping that people will be honest enough to purchase your albums or singles. Solving this will be no easy as I do believe that the internet should remain a free service to all, however, I think we need to have a governing body that specifically deals with an illegal site that offers downloads. We also have a number of companies that offers the artist music without much payment to the artist; this again I think needs to be looked regulated.

 
Your plans for 2016/17?

We are focused on the release of four main albums and singles over the next year.

 
What advice would you offer to newcomers seeking a vocal career in music?

Develop an entrepreneurial attitude to the music business. Think of it as a business and treat it as such.

 
Creativity vs, the business aspects of the music industry, what are your views on this (just as) important area?

The days of primarily being a creator and hoping that the business area will take care of itself are no longer true as the amalgamation of these areas is what will make you successful or not.

 
What you advise vocalists to seek a manager and what attributes should they seek if so?

A manager can be a very important asset however self-knowledge and management are even a greater attribute. If you desire a manager it’s probably necessary that that person is a friend who you actually believe have your welfare at heart.

 
What have been your best & worst experiences in music?

I guess it’s in the early days singing with my brothers, hearing exactly the correct sounds harmonizing with you possibly cannot be beaten. The worst experience; probably forgetting your lines with thousands of people looking at you.

 
With regards to social-media, how do you project yourself as well as share your work in both music & art?

This is a difficult area to achieve the correct balance as sometimes what you think you want to put out as an artist is not essentially the correct picture sound or idea to put out. It’s easy to get it so wrong. It’s a very important tool and should be used with careful attention and imagination. This is something we are still working at.

 
Is a track-record of live performances a must-have?

I think this is essential if you hope to be taken seriously.

 
In the current mixture of music, digital media, and social media, how relevant are record labels in achieving a measure of success & an income?

We will never be able to dispense of record labels it is an essential part of the music business and I think will always be, however, the days when artist solely relies on record label is no more the internet and other sources have made it possible for artist to build their own self-contained business and have reasonable success.

 
Do artists still need a manager in such an era?

A manager can be an important asset however not necessarily vital as you can do a lot for yourself these days.

 
Can you fill us in on the background to the creation of your forthcoming album?

The new album I’m currently producing is called Sainted Rebels I hope to release it in mid to late 2017. I’m working with a few friends and producers on its production and believe it will be my best album yet. I’m in the process of selecting the songs I will be using and hope that it will be a cohesive piece of work.

 
Per your almost 20 year career on the underground scene, it seems that this is a big album as it will take your music to a wider ‘general’ audience, how does that make you feel?

I continue to put my thoughts, ideas and feeling out there and hope that one day it will get to a wider audience. Over the years I always try to do good music. I’m doing everything I know and hoping for more people to listen to what I have to say I recognize there are no guarantees but I’m feeling as positive now as I did when I started.


After building a solid reputation on the underground down-tempo scene what currently are your ambitions for the future?

My primary focus is firstly on the new album I hope that I can continue to put forth the quality work I have been putting out over the years. Secondly is on developing my Label Numen Records hoping to harness new talent and hopefully, give them a podium to expose their work.

 
With regards to live performances, can you describe your ideal environment and setting?

There is no such thing as an ideal environment I think wherever there is a good sound system and people that will listen that’s ideal.

 
A good word about music2deal.com would be appreciated.

I like the idea of music2deal there are a number of companies around however one that is as clear and uncomplicated as this is not out there!

 

Mozez Wright on Music2Deal