This & That

4 Top Music Industry Needs— July Spotlight

Pitch Now: Four current Needs you can reply to — composers, artists, producers, record labels, publishers, media companies, DJs, songwriters, entrepreneurs, bands. Offer directly via the Needs below.


Composers, Artists and Producers for the Italian Music Market Wanted By John Toso

Italian Way Music, founded by John Toso in Italy, is seeking independent composers, artists, producers, and labels with original, high-quality music suitable for international licensing, publishing, and commercial markets. The focus is on creators who value professional music development, have strong artistic identity, and are prepared to expand their visibility through global partnerships, digital distribution, and broadcasting opportunities.

This opportunity suits creators looking for worldwide reach through flexible publishing and royalty-based collaborations, with their works positioned across professional channels including film, television, radio, advertising, compilations, and digital media. Ideal for those asking: “How can my original music gain international exposure while benefiting from professional support and long-term commercial opportunities?” Suitable projects are expected to align with worldwide licensing formats and quality standards for global audiences. Serious submissions only.

→ View the Need: https://music2deal.com/it/italianwaymusic/wanted/business#93722


More Opportunities to Pitch

Explore the 3 additional active Needs below: artists, producers, record labels, publishers, media companies, DJs, songwriters, entrepreneurs, bands.


Polish Artists, Record Labels, Publishers and Media Companies Wanted By Marta Karasińska

Marta Karasińska is a business services professional based in Poland. She is looking for international record labels, artist managers, publishers, brands, and digital creators seeking to expand into the Polish and CEE markets. Suitable partners are those seeking expert local guidance to build stronger connections and commercial opportunities within the Polish territory.

→ View the Need:

https://music2deal.com/hu/vi_-bvmQnI4H5zIdjbw3p8x7Yo4/wanted/business#93692


Artists,  Labels, Producers, DJs, Songwriters, Entrepreneurs Wanted By Anissa Boudjaoui

Anissa Boudjaoui Sutton, founder of Pump It Up Magazine and The Sound of L.A., is an entertainment business professional based in Los Angeles, working with independent artists, producers, labels, and creative entrepreneurs seeking professional growth and international visibility. Her platform offers artist development, promotion, PR campaigns, media exposure, branding, digital marketing, and strategic partnerships to help talent build credibility and expand their reach across global markets. Suitable collaborators include artists, DJs, songwriters, and creative businesses looking for long-term support, promotional opportunities, and stronger positioning within the entertainment industry.

→ View the Need: https://music2deal.com/us/0xvmyYqLYhiiJ9Ap5wHDgSvkOwQ/wanted/artists#91763


Artists, Bands and Labels Wanted By Miriam Guigueno

Dr. Music Promotion is a Germany-based music PR agency and label service provider specializing in Pop, Rock, and Metal, offering professional support for emerging artists, bands, songwriters, and music businesses seeking international growth. The company provides promotion, distribution, booking, management, publishing, playlist, radio, TV, tour, and digital marketing services through a global network built since 2006. Suitable collaborators are artists and labels looking for comprehensive industry support, creative PR strategies, and worldwide exposure opportunities.

→ View the Need:

https://music2deal.com/de/DrMusicPromotion/wanted/business#91221


How to respond to a Need

  • Open the Need and review notes on genre, format, and deliverables.
  • Send a focused pitch: summarize your (Music) Offer in 2–3 lines (who you are, what you offer, why it fits).
  • Use the site tools to offer directly from the Need.
  • Note: You must be logged in to Music2Deal to contact members or submit.

Not on Music2Deal yet?

To respond to these Needs, you’ll need an account. Create a free profile to offer directly from each Need.
Join now: Music2Deal — the business network for 18,000+ proven music professionals worldwide. Whether you’re an artist, label, publisher, manager, or producer—Music2Deal helps you connect, promote, and discover real opportunities.

This & That

What is Music2Deal really about?

We could explain it ourselves — but sometimes it is better to let music professionals speak for themselves.

In this blog feature, we are presenting four short testimonials from respected industry professionals who share why they see value in Music2Deal as a dedicated network for real music business opportunities.

Their voices show what Music2Deal was created for: connecting music professionals, helping them stay connected, and making it easier to discover new opportunities in the international music business.

Watch the videos below and take another look at Music2Deal.


More Music2Deal videos and testimonials are available on our updated YouTube channel:
https://www.youtube.com/@Music2DealOfficial

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a&r · music business · music industry · Music2Deal.com · This & That

AI Will Not Replace Creativity. It Will Redefine How We Create.

Every technological revolution in music has been accompanied by the same question:

“Will this replace musicians?”

Today, the debate revolves around Artificial Intelligence. Thirty years ago, it was about digital samplers. Before that, it was synthesizers, drum machines and digital recording.

History has shown us something interesting: technology rarely replaces creativity. Instead, it changes the way we express it.

Early in my career, I worked as a sound designer for companies such as Angel City Audio and Valhala, creating sound libraries and sample collections for Korg and Roland instruments. At the time, many believed that sampling technology would make musicians obsolete.

It didn’t.

The opposite happened.

It gave producers, composers and musicians new creative possibilities while preserving what has always mattered most: artistic vision.

Later, while producing orchestral soundtracks for television, including projects for Brazil’s TV Globo such as Hilda Furacão, we combined digital samplers with real orchestras and live musicians. Technology became part of the creative process, not a substitute for it.

Today, AI represents another extraordinary leap forward.

Independent creators now have access to production tools that were once available only in world-class recording studios. That is a remarkable democratization of music production.

But access to technology has never been the same as artistic identity.

Artificial Intelligence can suggest harmonies, generate arrangements, create sounds and even produce complete tracks.

What it cannot replace is the artistic intention behind every creative decision.

The personality of an artist is not found in the software they use.

It is found in their choices.

In their taste.

In their cultural references.

In the emotions they decide to communicate.

This is why I believe AI should be embraced as a creative partner rather than a creative replacement.

A good example is the growing number of artists who deliberately choose to combine modern production techniques with live performances to create distinctive sonic identities. The goal is not to reject technology but to use it intentionally, ensuring that every artistic decision reflects a unique creative vision rather than simply accepting the first result generated by an algorithm.

The real challenge for today’s creators is no longer learning how to use AI.

It is learning how to remain recognizable in a world where everyone has access to the same tools.

Because audiences rarely connect with technology.

They connect with authenticity.

As the music industry continues to evolve, our greatest competitive advantage will not be the software we use.

It will be our ability to transform technology into something deeply human.

Technology will continue to evolve.

Creativity will continue to define us.

How do you use AI in your creative process?
Do you see it primarily as a creative assistant, a production tool, or something that could fundamentally change the role of composers and producers? I’d love to hear your perspective and continue this conversation with the Music2Deal community.

→ View profile on Music2Deal: https://music2deal.com/br/danielsilveiramusica

Join for free and become part of the international Music Business Network:

https://www.music2deal.com/site/register