English · Tips

Radio Airplay

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Here’s a question I would like to get your answer on. As an artist, why do you want to get radio airplay?

The first answer I usually hear is “to be a star” or to “blow up” but what I’ve seen is artist want to get radio airplay so they can LIE & BEG a deal from a major. The concept here is to get a major label to pay you an advance, take more of their money to market, promote and publicize you and your music and then pay you more money for royalties. HOW INSANE is that? I’m finding more and more people thinking that their song is so great if someone hears it on the radio they will get instant gratification becoming an overnight sensation. Boy what a pile of garbage that idea has become. Besides the normal thought that radio doesn’t want your song and spending thousands of dollars to get a station to play it is not only a waste of money but stupid, 98% of the artist that I have met are not ready for a concentrated radio campaign in any city.

Because you do not know anyone at the radio stations you hire a promotion person to place your music. This person’s fee includes the money that will guarantee you airplay and varies between $1500 – $5000 per station.

If your song gets radio airplay and IF it is a popular song how do you monetize that airplay? The major chains will not carry your music and you have no idea how to even go about getting their attention. Oh that’s right you have CD BABY or TUNE CORE and your song is on iTunes, but you are not speaking with anyone at iTunes so you have no marketing with that company. You are hoping that people will search for your name or the name of your song, go to iTunes and purchase it but you are not a featured artist, not on the iTunes mailer have no idea how to get any of these benefits and CD BABY is collecting ALL of your money. Of course you are proud of the fact that you have a song on iTunes; however you think that just telling people on Facebook and Twitter to buy your product is promotion.

During the technology panel at this year’s International Soul Music Summit John Penn, Director, Advertising Operations & Branded Content Distribution at InspireMedia & Communications made a very profound comment. He said that social media on the Internet was a series of conversations and most people were talking and not listening. This immediately hit home with the concepts I have been telling people over the past few years about marketing and promoting their music online.

On Facebook alone, outside of the few posts that I have seen written to share knowledge, most people are YELLING AT YOU, about listening to their music, joining their group, “liking “ them, watch their video, come to their show, etc. When do you start listening to what your audience may want or even communicating with your audience? When do you stop being so selfish and rude and start working on a promotional plan that has a definite reason behind it?

How many different times do you see people writing any of the following phrases?

Force To Be Reckoned With

Starting To Blow Up

Destined To Be

Support Me

Check Out My

None of these phrases help you market and promote your product online, in fact they have become as archaic and none descript as the phrase “You Know What I Mean?”

But let’s continue speaking about this song that you have spent money with a promoter to get on the radio.

You have not done a print campaign in the city where the radio is playing your song and do not even have flyers available. There is no club or venue that knows about you because you do not have a promotional tour schedule or possibly don’t even know what a promotional tour schedule is. You do not know any of the announcers at the radio station, sales people, music director or program director. The reality is that you do not even know if the song is being played because you have no way of hearing it daily.

A little advice for the artist that wants a professional to listen to their product and then help them, do not send material, either audio or video, out to professionals and expect them to view or listen when you haven’t taken the time to communicate with them first. Respect is the first level of understanding within this industry and expecting someone to use their valuable time just for you because you sent them something is disrespectful.

Why should a radio station even listen to your song when you do not have any excitement surrounding it, you haven’t spent any time within the station’s coverage area and have never visited the station.

Your ego can be the greatest problem in your entire career, check your reasons for wanting to be within the entertainment industry often.

Article by Allen Johnston

English · Interviews

Music2Deal – Interview with Dennis Makhari (Ambassador)

We take the needs of our members at heart and although Music2Deal runs on a technological platform, we form and keep close relationships with our members, whether it be an artist, a publisher or any other music industry professional.

We decided to introduce our first appointed Music2Deal Ambassador by means of a video interview, since it creates credibility and enthusiasm amongst current and future members.   There is no better testimonial but to see and hear what Music2Deal is doing for all players in the music industry, but to hear it from the horse’s mouth.

About Dennis Makhari

As with many songwriters, Dennis holds a steady position as a management consultant in the corporate business world.  However his passion for writing music and as an entrepreneur with a vision, Dennis realized the importance of networking and joined Music2Deal in December 2011.  He has been a supportive and very active member of Music2Deal, ensuring that he builds the necessary contacts in the music industry through Music2Deal to bring his songwriting and music production visions to fruition.

Dennis has an extremely wide and diverse taste in music, from R&B right through to the likes of Pink Floyd and is currently writing songs for his next album project.  Dennis’s immediate future plan is to put together a band that can provide an authentic live musical experience, as he states “we want to connect with our audience in a way that is unrestricted by a specific genre”.

English · Tips

7 Steps To Having A Great Album/CD Release Party

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Article by Allen Johnston

Within the past few weeks I have been invited to several Album / CD Release parties and a recurring theme is happening.  The artists and their management companies are getting it ALL WRONG.

Here are a few rules to make your CD Release party effective and profitable.

Check Your Invitation List

If you are inviting your relatives, friends and fans you are NOT having a CD Release party.  The primary reasoning behind a CD Release event is to get as much press, media, radio, TV and online media writers to review and promote your music.  Anything else is self-defeating and a waste of time, energy and money.

Advance Preparation is critical

Determine the place where you will be having your event, scout the location, setup prior to your event and check sound, lights, seating and acoustics.
Know which area you will be preforming in and where you will greet your guests for one on one autograph and photos.

Choose your team wisely, they will represent you

The team that you have should be able to make your event easy and comfortable for you or your artist.  Have enough qualified people around so that your guests feel pampered and their minds are solely on the music.  VIP guests should be escorted into the event, directly to their table, where they can have the option of seating or mingling with other guests.

Keep solid publicity

Having a person send out an email blast without being able to get you phone interviews, video interviews, print reviews of your project and online blog interviews is NOT having a publicist. Hire a publicist who can develop your guest list and make sure that you have a quality follow up after the event.  A publicist should be able to write the documents, press releases, informational sheets and in some cased the reviews of your cd.  This same person needs the ability to contact and invite music reviewers, bloggers, radio & television executives, announcers, DJ’s, print media, videographers, and photographers.   After the event your publicist becomes extremely important for you want the world to know about your project.  Make sure that you have copies of any and all footage taken at your event, any interviews recorded and tons of photos.

Be Personal

Take the time to speak to EVERYONE who has come out to be a part of your release party.   They took the time to visit you and listen to your music, YOU take the time to be one on one and place a positive face to your music.  The worst thing you can do is to be a DIVA and not speak friendly to everyone; these are the people that will talk blog, write, review and ultimately play your music to the public.  Piss one of them off and you may not be able to reach any of them again.

Your Presentation is Crucial

Practice your performance in front of mirrors before you get on a stage telling the world how great you are.  Know what you look like holding a microphone, how to move and address your audience, even if you can’t sing well.  Engage your audience and make them a part of your show, happy people make for happy cd reviews.

 Don’t sell your CD at your release party

You have invited press and media and then you tell them that they can buy your cd? That really means that you hold them in contempt and they are no longer interested in you or your project.  Every person that has taken the time to come to your release party should have a complete package on you when they leave, which includes bio, photo, CD and a personalized thank you card.

Reaching the largest audience with a positive message that increase your revenue is the ultimate final result of a GREAT CD RELEASE PARTY.