English · This & That

Interview with Mauritz Lotz by Antionette Cronje (Part 2)

Q:  How do you think the music industry has evolved over the past 3 decades, in terms of making a breakthrough in the industry?

A:  In my opinion, 20+ years ago, the recording scene, music industry and artistic expression seemed a lot less “democratic” and more “exclusive” in some way. The industry and society as whole in my opinion has changed dramatically since then. We are driven more by social media, internet and technology than ever before. Today you can for example become a YouTube superstar long before you get out there and somehow really connect with your audience. We are living in the “download generation” and record companies, producers and artists now have to keep finding new, different and effective ways to impact on the market. Even though we do have so many more ways and means to express ourselves with the help of social and internet media etc, making an impact is probably even more challenging due the market being almost “saturated” and/or “bombarded” with so much product through broadcast and especially internet media… having said all of this, there is a lot of creativity going on the planet, a lot of greatly talented people everywhere if one stops for a second to realize how much there actually is out there, whether it be a new artist/s or song that pops out of “seemingly nowhere” or a new song album from a well known artist…either way, what really resonates at the end of the day will remain…a great song, a moving piece of music or a painting or piece of literature… whatever the artistic expression, let it be bold and truthful..

Q:  Why do you think some artists are what we call a “one hit wonder”?  What do think could be the reasons, why they could never release a chart topper again?

A:  I think today, quite a few “ideas” are often driven by technology/production and arrangement as opposed to the thing that really resonates with all of us…a strong melody/lyric etc…I think a lot also has to do with what I also mentioned in my previous response (see above)…I, like everyone else nowadays I guess, do also rely on technology to facilitate and enhance the creative process but try to focus on the tune + feeling/message I am trying to get across primarily..

Q:  As a composer, from what do you mainly draw inspiration from and do you follow a kind of “recipe” when you compose?  Do you have any tips for young songwriters which they can apply?

A:  This will sound probably very cheesy now but, I guess, that what inspires me is life itself, creative people + what I refer to as the “creative universe”…that what does not seem tangible, measurable or controllable…If it is something I am writing for picture, “the story is always king” as they say sometimes, making sure I am getting the director’s perspective and intention across…In terms of the process itself, I don’t think I have some kind of formula/recipe of sort…however, as mentioned, I just try and get the “feeling/sentiment” across and then draw from my influences/bit of knowledge and mostly experience to do that….

Q:  Please tell us about your latest project Orbium?

A:  Orbium is a project I am extremely excited about and have been busy with on and off since 2009….I’m currently busy putting together the conductors score of it with the help of maestro Graham Scott…It feels a bit like my “best kept secret” for now….hehe…watch this space for more detail…..;)

Q:  What do you think about Music2Deal and how can it benefit South African artists?

A:  I think Music2Deal is certainly a great way to and meet and network with other industry people on a global level. It is and should be always about expansion and sharing of music and experience. I therefore trust that Music2Deal is already doing exactly that, thank you.

Thank you in advance in participating in our quest to broaden the SA Music2Deal network.

My pleasure and privilege!

Play it LOUD!!

 

Here’s a link to Mauritz’ website: http://www.mauritzlotz.com/

English · This & That · Tips

‘Modernizing the Merch Madness’ by Dave Kusek

“For artists struggling to make a living in the digital age, a strong merch strategy can be the difference between living life as a starving artist and making a comfortable living.

Yet compared to the recording, publishing and ticketing businesses—which have felt the full effect of technology and the Internet— the merch business today is mostly stuck in the analog 70s. If we are looking to make money in the music industry of the future, why focus our energies on debating the intricacies of Spotify payments or whether licensing terms stifle innovation. Instead let’s examine an area ripe for disruption and revenue expansion.”

Click here to read the whole entry on Digitalcowboys.com.

English · This & That

Getting To Know ‘Savage Henry’

“We were on tour in the Midwest USA in summer 2009. The guys decided to go get some breakfast and mess around town that day, do some shopping. The driver of the bus missed his exit on the highway, needed to get turned around, switched lanes and didn’t see this HUGE Fed Ex truck in the other lane and well, bam!” When Hal Jester, Manager of ‘Savage Henry’, talks about this sad day, he still can’t believe what happened. This is when the song “300 Miles” was written, which deals with the guy’s experiences on the road over the years. “The video picks up where this story left off and the aftermath. The first minute of the video features real news footage. The guys were all OK except for some bumps and bruises but the driver of the bus was injured severely and had to stay in the hospital for a couple of weeks. We felt very bad about the incident.”

 Savage Henry was formed in Denver, CO, July 2004. They released their first full length recording of fourteen songs, All In, at the legendary Red Rocks Amphitheater in August 2005. Named Band to Watch in 2005 by Xposure Magazine, they have performed over a hundred live shows for fans throughout Colorado, Nebraska, Iowa, South Dakota, Wyoming and Minnesota and have been featured on Colorado radio stations including 93.3 KTCL and 99.5 The Mountain. The CD, All In and Step Lively, can be found on several major music services including iTunes, Amazon, and CDBaby. Savage Henry immediately gained regional respect with their 2005 debut effort All In, an audio journal of the complexities of relationships pushing against the tide of temptation and self-realization. All In was recognized as one the year’s most skillfully played and cleanly produced albums by Denver’s alternative weekly publication, Westword.

By the end of 2006, Savage Henry picked up a nomination for a Westword Music Showcase Award in the Best Rock category, and then again in 2007, this time in the Best Pop category alongside recent Atlantic signing, Meese.

The members of Savage Henry understand that success in the music industry is more than just skillful albums and blistering live performances, so Savage Henry is an efficient business machine. Stuart Miller is a career guitar player living music through performing, teaching, and publishing placements, and is highly esteemed for his session work. In addition to maintaining the band’s website and promotion online, bassist John Jeffers has earned praise for his skills in sound engineering and recording. Singer Damon Guerrasio’s background in theater brings a unique, one of a kind performance, keeping the crowds rolling in. As a part of the successful “On Second Thought” (until their demise in 2004), Guerrasio has reached his artistic pinnacle as the intricate lyricist and eccentric frontman of Savage Henry. With regular touring, festival, and showcase performances, along with highly acclaimed Pink Floyd tribute shows (Wish We Were Floyd), Savage Henry continues to prove itself as an independent musical success. As shows regularly sell out in Colorado, Savage Henry has also developed sizeable followings in Nebraska, Minnesota, South Dakota and Wyoming.

The band will consider any offers for licensing, record label interest and especially radio airplay on any station across the world. Savage Henry has two excellent CD’s with great packaging and presentation and digital distribution in place.

“However we have no hard copy distribution in place at this time, so that’s something the band may need help with. We need help paying for our hard copy CD’s which are complete with a great package. We were hoping to start selling on the radio. People would buy our tunes online then from those sales we could order more hard copies but we still don’t have a way to get them in Target and Walmart and other retailers. A matter of fact the band was offered a “trial run” 3 years ago from Universal Records. They wanted 1,000 CD’s up front from us to distribute to a few Target stores to see how we would sell. We didn’t have the funds to purchase that many CD’s. So you can see that we have the talent and “big” labels have showed their interest in this band…just bad timing or the wrong type of offer.”

– Hal Jester

Savage Henry on Music2Deal: http://bit.ly/QZLjaZ

Savage Henry on Reverbnation: www.reverbnation.com/savagehenry