English · This & That

Call To Mobilize

Allen_20JohnstonArticle by Allen L.  Johnston – The Music Specialist
http://www.asha.com

This year I came to a drastic realization that American Urban based artists, publishers, producers; writers, film makers, label owners, magazine owners and entertainment industry entrepreneurs are wholly under rated and under represented on the world market place. During one of my daily walks around the MIDEM convention exhibition area, I ventured in to the Electronic / Urban Village at Midem.  The name suggested that here would be a place where various types of Electronic and Urban based musical products and opportunities would be found. A place where companies from around the world could come and find music, DVD’s, film, magazines and digital deals from the best Urban and Electronic makers in the world. Feeling that the Urban marketplace should be over flowing with product by and about people of color I went looking for the best in the world

What I saw was several different spaces occupied by every nationality BUT people of color.  Blatantly missing were American Hip Hop, R&B, Southern Soul, Blues, Jazz and Gospel companies.  In fact I saw NO REPRESENTATION at all from any Black or Hispanic owned company from the United States in this area.  At least 50% of all the music I saw, and heard during MIDEM came from people of color world wide, but there was less than 5% participation from African Americans conference wide and less than 1% booth participation.  The only Hip Hop artist of any notoriety that I saw making meetings and doing deals was Chuck D, and he brought a group of business people with him as a support factor. American Hip Hop has made major influence around the world I saw Death Row Records from Germany and even though South Africa has licensed Little John’s music thru TVT there was not another Atlanta based rapper or representative at the conference.

Countries from around the world were looking for music and DVD products from American based “Urban” companies yet there were virtually none to be found. The Japanese, South Africans, French, Belgium, Swedes and every English speaking country are all looking for American Hip Hop, Jazz, Gospel, Southern Soul and Reggae, but once again there were NO representatives of any of the major artists nor any revenue generating INDEPENDENT  COMPANIES available that I saw or heard of.

This has to stop now especially while there is a window open for such great financial and cultural reward.

So I am making the first call to mobilize the American Urban based artists, publishers, producers, writers, film makers, label owners, magazine owners and entertainment industry entrepreneurs.  I have started talking with different companies and organizations to acquire a cadre of African American owned entertainment businesses that will be able to represent their products and make deals on an International basis for MIDEM 2014.

Please take a moment and look at your long range goals, if they include a digital market or an International market lets find some time to talk.  Plan your work THEN work your plan.

 

English · This & That · Tips

How To…Export Tracks From Garageband

Hello, David Jones from http://www.mixasylum.co.uk again with a blog not about production tips today, but a process that people perhaps take from granted, but for some can be a challenging aspect of getting their tracks professionally mixed or mastered. I would like to explain the export process of Garageband.

This problem came up with a client I was working with this week, so I thought, “why don’t I try to help fellow readers in a similar situation?”  For this example, I am using Garageband ’09. So, let’s get started shall we?

How to export individual tracks from Garageband

1. In the window with all your tracks, press the speaker icon on all of the tracks you want to mute. This will ensure only the file you want is heard in the bounce. The track that will be hard turns an orange colour, the tracks which won’t be heard turn grey.

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2. To export your soloed track, press ‘Share’ and then select ‘Send Song to iTunes’ from the top Garageband menu.

bild23.     A menu pops up where you can name your playlist (and other details) where the file will go in iTunes. Press Share, and the track begins to export

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PLEASE NOTE that this is only a playlist where all the tracks will be held from this session, which means you can’t name individual tracks yet.

4.   iTunes now appears, so scroll down until you find your playlist name.

bild45. Click on the playlist, and it will open, showing the track(s) that have just been bounced. As you can see, the track defaults to the same name as the playlist. It is best to rename your tracks as you bounce them, as you would probably get confused with 20 tracks all called the same thing!

bild56. Click on the name of the track until a cursor appears. This lets you be able to change the name of the individual track. When you’ve renamed it, press enter on your keyboard.

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7. Repeat the above steps until all of your individual tracks are in the iTunes playlist.

8. Job done!

The final word

I know this process may seem like sucking eggs to some, but I just want to help out people who are just starting out in production be able to find their feet so that they are able to hear their own compositions as a professional .AIF file for the first time. I remember when I did my first bounce and heard my compositions for the first time; it was a joyous feeling knowing my tracks had portability for the first time.

If you want to discuss anything about this blog, please feel free to get in touch with me via email at:

techniques-mixasylum@hotmail.co.uk or send a message through my facebook page at: http://www.facebook.com/mixasylum

Any feedback is appreciated, good or bad, or if you’ve got personal tips on the exporting process of Garageband, then I’d love to hear from you.

Thanks, look out for my next blog!

David Jones

http://www.mixasylum.co.uk

English · This & That

Mix Asylum is offering free mixing and mastering services for Music2Deal users

mixasylum

Music2Deal is happy to bring a great opportunity to all artists looking to get their music professionally mixed and mastered free of charge for limited time only!

Mix Asylum is a new, online, mixing, mastering and production venture with the emphasis on affordable work for bands/artists.

Founder and Music2Deal user David Jones, is a newly qualified graduate, gaining a 2:1 in BSc Honours in Music Technology and Production.
“My sole purpose is to help bands/artists achieve their potential without costing them a fortune.”

Having a soundproofed and fully equipped, industry standard studio using some of the best software including Logic Pro, Universal Audio, IK Multimedia and Slate Digital to name a few he can provide you with top quality mixing and mastering services.

As a Music2Deal user you can get your FREE mix (until 31st January) by contacting David via www.mixasylum.co.uk / info@mixasylum.co.uk

Q&A

Why Mix Asylum?

I have only just started my studio and need to increase my portfolio. I know there is a lot of competition but want to prove my dedication and passion to the industry. I also want to help new singers/bands/artists to get a professional/industry sound without costing them a fortune.

What can our users/customers expect?

I am currently offering a FREE service (until 31st January 2014) of:

3 FREE Mastering of songs

AND 1 FREE Mix of a recording

AND 2 HALF PRICE Mixes

Mixes can take anything up to 4 days depending on the amount of tracks involved hence only one song for free!

Could you tell us bit about your experience and equipment / studio?

My Experience:

I gained a Distinction (across the board of 18 subjects) on my college course of BTEC National Diploma in Music Technology Level 3 (2008-2010).

I have just been awarded a 2:1 University Degree in BSc Honours in Music Technology and Production (2010-2013).

During the University course, my final assessment was creating a music recording portfolio, where 6 recordings had to be made in 6 different genres, and I had to organise all of the bands/studio recording time at the University myself (as well as the 30+ other students!). It was high pressured, but it was a good learning curve for me, to get the hands-on experience of a true working studio. I completed the portfolio and obtained a ‘first’ classification (75%).

As part of a final year unit about the wider entertainment industry, the task was to interview people who do a similar job as to what the student wished to do after graduation (so this could have been session musicians, software developers etc) but I wanted to interview producers who have inspired my feelings of a great “sound” on recordings over the course of my music exposure. I was blessed to personally arrange and conduct interviews with:

             Terry Brown (Rush, Cutting Crew)

             Keith Olsen (Whitesnake, Scorpions, Top Gun Soundtrack)

             Tony Platt (AC/DC, Foreigner, Gary Moore, Dio)

             Michael James Jackson (Kiss, Hurricane, LA Guns)

Every one of these interviews was an incredibly humbling experience, and was fascinating learning about their start-ups in the industry. I think they all subconsciously inspired me in my desire to succeed with my own studio, as all of these people had to work hard in their studio, so why can’t I in theory?

I have recently been working with and recording a band (Abandon Her), samples of which can be found on my Soundcloud site and my Music2Deal profile.

My equipment/studio:

Equipment:

I use an iMac Snow Leopard10.6 with Adam A7x as my primary monitors and Sony CMT-MX550i’s as secondary monitors. My main production software is Logic Pro9 but I also have a MacBook Pro with ProTools, Cubase, Reason etc.

I have Universal Audio – UA-2 Duo Custom featuring many top analogue  plug-ins including:

Ampex ATR 102 Tape Machine

Lexicon 224 Digital Reverb

Fairchild Compressor

Neve 88RS Channel Strip

I have many more professional plug-ins including:

Line 6 – Professional Amplifier emulation giving access to 100s of classic guitar and bass amplifiers.

EastWest – Professional industry MIDI Emulation

Symphonic Orchestra

Gypsy (Emulating Spanish/Middle Eastern Instruments)

Ministry of Rock (Emulating Rock guitars, drum kits)

          Fab Four (Emulating instruments with a 60’s production vibe)

For full details please see my website (http://www.mixasylum.co.uk/equipment-page/4578584468).

Studio

“Mix Asylum” is the name of my production studio, based in Tamworth (near Birmingham) in the UK. It is a home production studio, but a lot of time and effort has been made to professionally change the space into a working studio. For example, it has been acoustically treated with professional foam panels to stop all reflections from emanating in the space, and these are covered all over the studio. The floor has also been acoustically treated so that there are no build up of bass frequencies in the space. What you hear from the monitors is exactly what you get, so someone recording here has got a professional recording space for a fraction of the price of commercial studios.

For photos, please see my website (http://www.mixasylum.co.uk/studio-pictures/4578590366)

Where can users listen to some of your previous work?

People can listen to examples of my mixing work on my soundcloud page http://www.soundcloud.com/mix-asylum. I’ve tried to do songs with as much variety as possible so that you can see I am a versatile mixing engineer. I also have a small selection on my Music2Deal profile.

If you like what you hear and would like to take advantage of my FREE offer,I have my own wetransfer page, a site that allows FREE, secure transfer of files, so there is no need to post me a CD, memory stick etc. This can be reached at http://www.mixasylum.wetransfer.com and step by step instructions of how to use this page can be found on my website at: http://www.mixasylum.co.uk/sending-your-files/4578999871