music business · Music Directory · Music2Deal.com

4 Top Music Professionals to Connect — February Spotlight

From global executive to musicpreneur and publishing, this edition spotlights four Music2Deal professionals actively shaping the international music business.
Each brings deep expertise, regional insight, and a strong track record of collaboration.

Arron Gonzales – Global Executive & CMO World Movement Enterprise| United States

Arron Gonzales is a Global Executive and Chief Marketing Officer of World Movement Enterprise, with a career spanning street-level promotion, military service, and executive leadership.

Beginning his professional journey in the 1990s Sacramento street-team marketing scene, Arron later served as a U.S. Air Force veteran, where he developed expertise in large-scale logistics and operational strategy. These skills became the foundation for building and scaling national sales and distribution networks across multiple industries.

As Founder of Marketing Opedia and CMO of Streetbuzzz and World Movement Enterprise, Arron specializes in disrupting traditional advertising models. He is the creator of the “Unbelievable Math” media strategy, delivering high-volume Connected TV exposure across platforms such as Roku, Amazon Fire TV, and gaming consoles through data-verified distribution.

→ View profile on Music2Deal:
Business profile of Arron Gonzales


Xavier Collin – Publisher, Manager, Producer WTPL Music | France

Xavier Collin is a music publisher and executive with over three decades of experience across publishing, production, distribution, and artist services.

Active in the music industry since 1991, Xavier operates as a publisher, record label owner, music producer, manager, booking agent, concert promoter, and A&R. His work spans a wide range of genres, including Pop, Rock, Hip-Hop, Electronic, Jazz, World, Folk, Soundtrack, and Experimental music, reflecting a broad and adaptable catalog strategy.

Through his company, Xavier provides a one-stop solution for music rights and exploitation, managing a catalog of more than 8,000 tracks across all styles. The company specializes in publishing administration, sub-publishing, and rights management, supporting creators and rights holders at both national and international levels.

→ View profile on Music2Deal:
https://music2deal.com/fr/Bill


Frank Otto – Musicpreneur, CHAMPIONSOUND, Germany

Frank Otto is a music executive, label founder, and marketing professional with a career spanning artist development, international label operations, and music marketing.

Active as a musician from an early age and still creatively involved today, Frank transitioned from performance into artist management, working in London with Simon Napier-Bell, followed by record company roles at Kickin Records. He later founded his own record label in Berlin, combining creative vision with business strategy.

In 1992, Frank founded CHAMPIONSOUND after serving as Director of International Exploitation at the influential London label Kickin Records. The label emerged during a formative period for electronic and club culture, bridging the rise of breakbeat in London with the evolution of techno and electronic scenes in post-reunification Berlin.

→ View profile on Music2Deal:
https://music2deal.com/de/championsound


Vumani Ngema – Distribution, Publishing, Administration, South Africa

Vumani Ngema is an entertainment business executive specializing in music and film distribution, publishing, and digital services.

Operating across music, film, television, radio, sports, and literature, Vumani works at the intersection of creative content and commercial exploitation, positioning entertainment as an integrated business ecosystem. His primary genre focus is House music, with additional activity across Dance Electronic, Hip-Hop, Pop, R&B, Gospel, and Alternative genres.

Through his company, Vumani has collaborated with prominent artists including Ntencane, DJ Maphorisa, Kabza De Small, Sanele Mkhize, and Static Que. The company has also partnered with leading industry organizations and platforms such as Sony, Africori, The Orchard, MTN, CCA, and Electromode.

→ View profile on Music2Deal:
https://music2deal.com/za/gCnlbZgUqtt2xstXKZCxrD3DSmA


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music business · Music Directory · Music2Deal.com

4 Music Offers to Explore — November Spotlight

From time to time, we spotlight handpicked Music Offers from across the Music2Deal community. Two bands and two licensing-ready tracks—from Argentina, USA/Germany, UK, and Sweden. Review the summaries and connect directly on Music2Deal.

SUIT (Argentina) — Poppendent Publisher, Denmark)

Pop band from Argentina performing live non-stop since February 2018. Passionate, reliable, and growing, SUIT deliver both covers and originals for recording and live applications.

Good for: festival/club bookings, co-writes, production & release partners.
Rights/Status: performing & recording; originals available.
Connect on Music2Deal: https://music2deal.com/latam/dyxTvKrb-mo7OnAGC0FJi5bt8DI/artists#40877


Steve Phillips (UK) — Pop Track

A melancholic mid-tempo Pop track “Left Behind” by LoveLounge with male vocals (2025), honoring someone dear. PRS-registered, unlicensed, master ready—available for film, compilation, or commercial use.

Good for: film/TV cues, compilations, brand spots.
Rights/Status: publishing registered (PRS), sync/master available.
Connect on Music2Deal: https://music2deal.com/gb/yiu7-33FilJhc58615GZJRXaMSc/licensings#17909


Tom Civic (USA/Germany) — Dance Music

Up-tempo Dance/Electronica track “Give Me a Break” with male vocals (2025). Uplifting, energetic; master available for licensing—ideal for commercial, film, gaming, compilation, or ringtone use.

Good for: ads, trailers, games, playlists, compilations.
Rights/Status: master & sync available.
Connect on Music2Deal: https://music2deal.com/de/9ed9478f298aa978dcbc1f73f1ced394/licensings#17838


Sonic Surf City (Sweden) — Punk / Rock

Swedish punk-alternative blending Ramones energy with Beach Boys melodies. English-language, recording-focused; new album and a spring 2022 Japan tour on the horizon.

Good for: label/distribution, sync, festival bookings, Japan partners.
Rights/Status: masters/catalog opportunities; international partners welcome.
Connect on Music2Deal: https://music2deal.com/scan/jNQp6SqRiK-VyBBtZY0sMPkhd4k_/artists#38227


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To respond to these offers, you’ll need an account. Create a free profile to connect or submit directly from each offer.

Join now: Music2Deal — the business network for 18,000+ verified music professionals worldwide. Whether you’re an artist, label, publisher, manager, or producer, Music2Deal helps you connect, promote, and discover real opportunities.

Interviews · music industry interview

Kamrad Interview for Music2Deal.com – Part 2

This is the second part of a two-part interview with German singer-songwriter Tim Kamrad, who rose to fame in 2017 with his hit single Changes. Known for his pop-driven hits like I Believe, Feel Alive, and I Hope You End Up Alone (With Me), the 27-year-old took on a new role in 2024 as a coach on The Voice of Germany.

Our expert A&R guru, Richard Rogers, leads the conversation.

Richard Roger: I did think there might be the opportunity there to do both of those. Please both sets of fans.

Kamrad:  I think if you make an album of like 12 singles it gets boring. You need two great ones and maybe 10 okay ones and I think there’s nothing worse than just an okay single. You need a really great pop song or an indie song. Do you know we do a blues song live? It has a long guitar solo. This is really unexpected for people, it has a long guitar solo and people that hear my songs on the radio would not expect that. It’s a really cool moment in the set.

RR: the line ‘I’d rather fall asleep than fall in love’ will I believe (excuse the pun) go down as one of the iconic song lyrics of the 2020s decade. When you were growing up, what were the sort of lyrics and artists that you were really into, those that really inspired you?

K: well, you wouldn’t expect it but in fact, I grew up with the Beatles so the Beatles. That was the first thing that was music for me maybe for like 5, maybe 10 years of me growing up.

RR: through your parents?

K: yeah through my dad. So I know every lyric and every song but as time moved on, I got more into the current pop music, so I feel that someone like Ed Sheeran was an artist that really inspired me to go on stage even if I didn’t have a band and just play. Also to focus more on lyrics because I was not coming from a native speaking context, it’s quite different listening to English music. You rather listen to the things that stick to your head rather than the clever ‘I’d rather fall asleep than fall in love’ line. I feel in Germany most people that know this song on the radio don’t know this line but they know the ‘I believe’ line. But I think this line is one of the main reasons why it got big on TikTok so I think you need the combination of something easy to sing and a deeper meaning.

RR: which is I suppose the same as your latest six track EP whereby you have the latest single ‘Friends’ that includes in the song, the line which is the EP title.

K: yes it’s the same thing. I’ve always loved the album titles where they are actually buried somewhere in the biggest single and you listen to that single and you hear that title in there and you go ‘oh yeah I know so and so’. So you’ve got an EP and the song ‘I Hope You End Up Alone (With Me which was a single and the line that is the album EP title ‘Not Good At Playing Love Songs’ is in that song.

RR: I’m currently writing a book on Taylor Swift.

K: oh really?

RR: yes it’s my 10th book. It’s my third book on A&R. The first was on Depeche Mode and the second one on ABBA. I just wondered what your thoughts were on Taylor Swift the artist, because pop can be described as a dirty word but personally I love it. Everything from growing up in the 80s listening to bands such as Duran Duran, Depeche Mode which really was pop and later a darker pop which they took slightly avant garde. So for you, how do you feel about somebody like Taylor Swift? Have you heard the whole of the new album?

K: I don’t listen to it every day

RR: there are 31 tracks on there

K: it’s a bit too many tracks for me

RR: that’s the problem. It’s a little bit wishy-washy, all a little bit watered down. But there are three tracks towards the end of the album and they just blow the rest away. It’s incredible for me that they leave them so late. Not great A&R in my estimation but it will still sell loads.

RR: do you go to big studios or not or do you record at your studio and then the record company takes it and get it mixed and mastered? How does it work?

K: we’re mixing it at the studio where we are and we send it to a mastering place in New York to a guy called Tutsijo who masters it. He is one of the greatest mastering engineers that I know. He gets our music and he gets our style, I say ‘our’ because it’s the producers and it’s me and we’re working very closely together. Tutsijo really gets the style and he finishes it off really nicely I think and if we’re going to LA to write songs or to London or whatever I always try not to go to studios I always try to be in a living room or something. I feel it seems so relaxed when you’re not forced to be in a room where music is created, better like a bed or a couch and your brainstorming and something comes across. The best songs come unconsciously I mean the sentence ‘I believe I rather fall asleep than fall in love’ was really like a stupid sentence that we said in the room and we thought we can use that. It wasn’t like we booked the biggest studio that we knew and made the biggest beat. That was an unconscious moment and let the unconscious happen and I think that you can do (something special) rather on a couch in a great living room with a cool view rather than in a really expensive studio for two days.

RR: I agree. There’s a place in Italy called Erice, it’s a fantastic place if you just wanna get away in Sicily and write then just get a hotel there, sit there with a guitar or whatever and just write. I really recommend it. I wrote a minor hit and 3 other album tracks in just a week for an artist there once.

K: I love those places. It does something to your mind in a way that you can’t describe to people and I always have to explain to my publisher yeah, like I’m not going to LA on a paid vacation that I have to pay for it’s rather more like getting my head into a different space. Because you know Bochum is nice but it’s not the city that you want to write the biggest summer song in. It makes me want to write a depressed one. Laughs

So if I want to write a happy song, I need to go to a different place. it is brilliant.

RR: what I will say is that your drum patterns are phenomenal.

K: thank you so much.

RR: and I don’t know if it’s you or your producer or it’s you and your producer together but I do think they are excellent. As an A&R man, producer and songwriter, I personally believe that you are the best German artist in the country currently. I’m not saying that to suck up either.

K: Wow, thank you so so much. It is an honour.

Kamrad’s latest EP ‘Wanna Be Friends’ was released in November 2024 and he is currently supporting this release on the ‘Friends Tour’ in Germany, Switzerland and Austria for a number of months from January 2025 with more tours planned going into Winter 2026 across Europe. In addition he is now one of the judges on ‘The Voice Of Germany’.

Richard Rogers new book ‘Taylor Swift – ‘The Tortured Poets Department’ the Ultimate A&R Companion Guide’ will be released in April 2025 with contributions from Kamrad and Midge Ure. It will be available to Music2deal members for a heavily discounted once only price.

Links:
https://music2deal.com/gb/richardrogers

KAMRAD